I love the top one because he looks even more pocket-sized than he usually does, and the second one for the stupid balancing act and the detail on his ridiculous layers. I love both of them for looking like he’s wearing somebody else’s jacket.
so far this whole driving thing has done nothing but make me wonder if I really am that fucking stupid
“We never used a double once.”
THIS IS SO IMPRESSIVE I CAN’T EVEN
(seriously, I’ve rewatched this so many times, and I can’t fathom the muscle strength it would take to get your legs up like that…)
I could manage the jumping up and sliding but HOW does he land on his feet?! I’d topple face-first into that shipping crate.
I’m green-screening my icon for my VFX friends at Rhythm and Hues who just won the VFX Oscar for Life of Pi. Combined with their other nominee, Snow White and the Huntsman, their films grossed $1B+ worldwide.
And then they were laid off after weeks without pay.
Share a green-screen to recognize the amazing digital FX work that goes into our tent-pole films. <3
Dreamworks artists were hit hard with the lay off but animation artists at Rhthym and Hues were hit even harder. I wish the best to the talented artists who lost their jobs even though they worked hard to create these Oscar nominated films.
Hey, man, I taught a week long 40-hour class that was approved and funded by the pentagon. That shit did not save MY job. #layoffs are awesome
i feel like the reason why valjean’s relationship with cosette is so sincere and heartfelt and long-lasting is because he saved her life that day in montfermeil and in return she saved his soul
Basically, I’ve been worshipping you.